Through the act of improvisation, the jazz musician is continually composing. When it comes to formal composing of pieces for a jazz ensemble, the jazz musician must be able to not only write a good melody but also to provide a “springboard” for the ensemble to communicate and improvise. Pianist Glenn Zaleski’s second recording for Sunnyside, Fellowship, reconvenes his trio, featuring bassist Dezron Douglas and drummer Craig Weinrib, to play a program of original compositions and a couple of insightfully arranged standards.
Zaleski’s first trio recording for Sunnyside, My Ideal, came out in 2015 and was a collection of standards and cover songs performed in a highly individual and energetic manner. For Fellowship, Zaleski wanted to bring the same musical approach to compositions from his own pen, challenging his trio mates to new creative heights on new, unfamiliar pieces.
In writing these new pieces, Zaleski paid special attention in crafting compositions that walked a fine line, as he says: “Overwriting can stifle improvisation, but underwriting can result in monotony or chaos.” His ideal composition being one that is both tuneful and a good harmonic/rhythmic vehicle for inspired solos from him and his band mates. The program is accentuated by two pieces by legendary jazz composers, Duke Pearson and John Coltrane, that help illustrate the continuum in the development of jazz composition and improvisation from the 1950s until now.
The recording begins with the highly interactive and inventive “Table Talk,” named for the pie company based near his hometown of Boylston, Massachusetts. The ruminative “Westinghouse” is a poetic tribute to composer Billy Strayhorn, while Duke Pearson’s toe tapping “Is That So?” is played to a quietly stirring effect. The title track is a wonderfully composed (both in form and esthetic), a true meditation in music.
Douglas’s tremendous intro bass solo on “Out Front” leads to the harmonic underpinning of the cyclic and longingly propulsive “Homestead,” a song about the frustrations of being on the road. Zaleski’s dynamic blues piece “Lifetime” is dedicated to a club in Shizuoka, Japan of the same name, the piece as joyful and warmhearted as his recollections of the club. The wonderful take on John Coltrane’s “Central Park West” puts the trio’s sensitive artistry on full display. The program concludes with the abstractly grooving “P.S.,” a knotty dedication to friend, vibraphonist and composer Peter Schlamb.
Pianist Glenn Zaleski continues to show his maturity and expertise as an instrumentalist and bandleader. On Fellowship, he proves his meddle as a composer of note, one who is capable of bending ears toward beautiful melodies and intriguing compositional ideas.
credits
released February 24, 2017
Glenn Zaleski - piano
Dezron Douglas - bass
Craig Weinrib - drums
Pretty much everything. The playing is incredible and the compositions lovely. But most of all I love the intensity of listening, joy and collaboration that oozes from every piece. Three of today's finest jazz musicians who were clearly thirsting for live co-creation and pull off a masterpiece on this album. tjsimon1
I was brought here after listening to a live performance of Makaya's on you tube. I instantly loved the song Holy Lands so much that I had to see if the album version was the same rendition as the live one. Then I listened to the whole album! Universal Beings is a just a groove... It's a mix of traditional and something new, very nice. pandr1900
Difficult to name a favourite track, however if I was forced to choose an all time favourite album this would certainly be up there at the top. I'm in the UK but it was a friend in South Africa that introduced me to Gondwana. Absolutely beautiful album from start to finish, amazing musicians and composition both. Thank you, it inspires me to become a better musician. rai scott
The sublime pairing of trumpet & piano on this gorgeous album—which blurs the line between classical & jazz—is the perfect fall soundtrack. Bandcamp New & Notable Oct 23, 2022
Two absolutely magic Halsall moments. Taking on Alice Coltrane's "Journey" and delivering something that does full justice to the original is simply outstanding :) 8000records